Lisa Z. Morgan’s work crosses
disciplinary borders and cavorts across a
variety of media, ranging from knickers, to perfume, sewn paintings, mixed
media installations, performances, short films and the written word. Melding critical ways of knowing with the haptic and embodied, she fosters dialogues around the intricacies of sense-making, desire and the
desire impulse.
Morgan is the Co-Founder of STRUMPET & PINK and the Co-Founder of The Lavender Hinge. She writes, plots and schemes for The Laboratory Arts Collective, has been a contributor to SHOWstudio and is the author of Design Behind Desire. She is currently the Department Head of Apparel Design at RISD (Rhode Island School of Design).
As an artist Morgan, sometimes using the pseudonym The Pink Investigator, has exhibited and performed Internationally. Her work, both individual and collaborative, has been featured in magazines and newspapers such as W, Elle, Vogue, LOVE, Tatler, Interview, The New York Times, The LA Times, The Financial Times, The Guardian, Wallpaper, The Telegraph, AnOther, Purple Magazine, S Magazine, The Huffington Post to name a few. Her work has been reviewed in eight books and is included in several private collections as well as the RISD Museum, Providence and Victoria & Albert Museum, London.
Morgan is the Co-Founder of STRUMPET & PINK and the Co-Founder of The Lavender Hinge. She writes, plots and schemes for The Laboratory Arts Collective, has been a contributor to SHOWstudio and is the author of Design Behind Desire. She is currently the Department Head of Apparel Design at RISD (Rhode Island School of Design).
As an artist Morgan, sometimes using the pseudonym The Pink Investigator, has exhibited and performed Internationally. Her work, both individual and collaborative, has been featured in magazines and newspapers such as W, Elle, Vogue, LOVE, Tatler, Interview, The New York Times, The LA Times, The Financial Times, The Guardian, Wallpaper, The Telegraph, AnOther, Purple Magazine, S Magazine, The Huffington Post to name a few. Her work has been reviewed in eight books and is included in several private collections as well as the RISD Museum, Providence and Victoria & Albert Museum, London.